"The Dance Class" by Edgar Degas
"The Dance Class" by Edgar Degas
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Collective Portrait Printable Art (1874)
Celebrate the elegance of ballet with The Dance Class by Edgar Degas (1874). This iconic collective portrait captures a moment of concentration and grace in the rehearsal studio, filled with movement, music, and light—ideal for dance lovers and classic art collectors alike.
➤ High-resolution printable artwork
➤ Perfect for ballet-themed interiors, vintage wall decor, and impressionist art lovers
Pixartiko Collective – Usage License
Prints allowed for personal use and resale only as physical products in local shops. Use in other physical goods permitted if pixartiko.com is credited when possible.
Digital resale, sharing, or publishing is strictly forbidden.
Designs are not public domain and cannot be distributed online.
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Print Sizes
🖼 Included Print Sizes (No Cropping Needed)
This high resolution digital file is optimized for printing at the following standard sizes, no cropping or borders required. Just download, print, and frame:
| Inches | Centimeters | Suggested Use |
|---|---|---|
| 16 x 17 | 40.6 x 43.2 | Unique wall art, slightly vertical formats |
| 14 x 15 | 35.6 x 38.1 | Decorative prints, artistic presentations |
| 12 x 13 | 30.5 x 33.0 | Custom framing, illustration prints |
| 10 x 11 | 25.4 x 27.9 | Framed photos, mini posters |
| 8 x 8.6 | 20.3 x 21.8 | Square-like photo displays |
| 6 x 6.5 | 15.2 x 16.5 | Small art prints, greeting card format |
🖨️ All sizes are print-ready at 300 DPI, maintaining the original image ratio. No cropping or borders required.
📂 Your download includes:
- 1 high resolution JPEG file (Aspect Ratio: 14:15, Almost Square – Slightly Tall).
- Artistic Declaration Certificate in PDF.
- Free gift: The Ages of Painting guide — a visual journey through the history of painting.
🎨 Need a different size or format?
No problem! Just send me a message and I’ll be happy to adapt it for you.
🎧 Art Review
The Dance Class by Edgar Degas (1874).
In The Dance Class, Edgar Degas orchestrates chaos into choreography. Painted in 1874, this celebrated work captures a moment not of performance, but of preparation. It is a portrait not of a single dancer, but of a system in motion, a collective portrait of ambition, repetition, and fleeting grace.
The room is filled with white tutus, pink slippers, and restless energy. Girls stretch, wait, adjust, glance, and wobble. They are watched over by the stern figure of Jules Perrot, their instructor, leaning on a cane and clothed in a coat that looks more weary than he does. Each dancer is caught mid-thought or mid-movement, and it is precisely this interruption of perfection that gives the painting its power.
Degas does not idealize. He observes. The girl at the front reads her sheet music, her pose uncertain. Another pulls at her bodice. One lifts her arm with visible effort. Others huddle near the mirror, whispering or waiting. The composition is complex and masterfully arranged, with diagonals and reflections guiding the eye like a silent metronome through the room’s layers.
What astonishes most is the realism that emerges through impressionist technique. The floorboards, slightly scuffed, tilt gently under the weight of the scene. The green walls are bathed in a cool, diffused light that makes the whiteness of the tutus even more luminous. A cello leans casually against a chair, its dark wood echoing the gravity beneath all that tulle.
This is not a romantic fantasy of ballet. It is a candid, almost documentary view of what it means to become a dancer. There is beauty, yes, but it is earned through tension, through waiting, through the repetition of a thousand imperfect movements.
Degas, as always, finds poetry in labor. With The Dance Class, he gives us more than a painting. He gives us the rhythm of work, the geometry of discipline, and the understated brilliance of a moment caught before the curtain rises.
