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Passing off of the Storm | Serene Seascape Print

Passing off of the Storm | Serene Seascape Print

Precio habitual €3,85 EUR
Precio habitual Precio de oferta €3,85 EUR
Oferta Agotado
Impuestos incluidos.

Serene Seascape Print by John Frederick Kensett | Hudson River School Coastal Art | 1872 Digital Download

Capture a moment of quiet calm with Passing off of the Storm (1872), a luminous marine landscape by John Frederick Kensett, one of the foremost painters of the Hudson River School. With its gentle horizon, scattered sails, and tranquil palette, this minimalist seascape print radiates peace—perfect for lovers of vintage coastal art, nautical decor, and American landscape painting.

Ideal for gallery wall styling, beach house interiors, or as a printable gift for fans of serene 19th-century seascapes.

➤ High-resolution digital download
➤ Ready to print and frame
➤ Great for coastal style rooms, nautical-themed spaces, and art collectors

Pixartiko Collective – Usage License

Prints allowed for personal use and resale only as physical products in local shops. Use in other physical goods permitted if pixartiko.com is credited when possible.
Digital resale, sharing, or publishing is strictly forbidden.
Designs are not public domain and cannot be distributed online.

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Print Sizes

🖼 Included Print Sizes (No Cropping Needed)

This high resolution digital file is optimized for printing at the following standard sizes, no cropping or borders required. Just download, print, and frame:

Inches Centimeters Suggested Use
20 x 9.5 50.8 x 24.1 Wide-format wall art or landscape print
16 x 7.6 40.6 x 19.3 Modern horizontal photography
12 x 5.7 30.5 x 14.5 Decorative shelf or desk artwork
10 x 4.7 25.4 x 11.9 Greeting card or compact print
8 x 3.8 20.3 x 9.7 Mini panoramic art or stationery
6 x 2.85 15.2 x 7.2 Small gift print or envelope insert

 

🖨️ All sizes are print-ready at 300 DPI, maintaining the original image ratio. No cropping or borders required.

📂 Your download includes:

  • 1 high resolution JPEG file (Aspect ratio ≈ 2.1:1 – Ultra-wide horizontal format).
  • Artistic Declaration Certificate in PDF.
  • Free gift: The Ages of Painting guide — a visual journey through the history of painting.

🎨 Need a different size or format?
No problem! Just send me a message and I’ll be happy to adapt it for you.

🎧 Art Review

"Passing Off of the Storm" by John Frederick Kensett (1872).

In Passing Off of the Storm, painted during the final summer of his life, John Frederick Kensett offers a lesson in restraint, perception, and the poetic possibilities of stillness. This luminous panel, part of what is now referred to as the artist’s “Last Summer’s Work,” was inspired by the view from Contentment Island in Connecticut. True to its name, the painting breathes a quiet sense of peace after disturbance, delivering the viewer into a moment of clarity and suspension between sky and water.

Kensett’s composition is striking in its refusal to conform to traditional framing. With no trees, cliffs, or foreground elements to guide the eye inward, he instead uses the sheer expanse of open space to communicate a vision of nature stripped to its essence. The horizontal format stretches languidly across the viewer’s field of vision, like an exhalation. A glassy sea mirrors a sky beginning to lift, with soft clouds retreating and light returning.

At first, the canvas appears nearly abstract. Wide planes of pale blue and warm gray dominate the scene, but it is in the subtleties that Kensett’s brilliance reveals itself. A rowboat sits low in the foreground, casting a faint shadow on the glassy surface. Four diagonal reeds emerge with quiet precision from the water. A scatter of white sails punctuates the horizon, and a tiny island to the right offers a gentle interruption to the composition’s fluid serenity.

The emotional weight of the painting lies not in what is depicted, but in how it is felt. Kensett’s ability to capture the barely perceptible—light after rain, air clearing over water, the hush that follows tension—is profound. He paints not a storm, but its vanishing. Not motion, but its memory.

For the modern viewer or collector, Passing Off of the Storm serves as a preserved moment of stillness, a portrait of a landscape forever caught between past turbulence and present peace. It reminds us that the most powerful expressions can reside in silence, and that art’s deepest resonance often comes not through what it explains, but what it allows us to experience. Kensett, with nothing more than atmosphere and light, gives us that rarest of gifts: a true sense of calm.


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