"Jumansubo Plain in Susaki near Fukagawa" by Hiroshige
"Jumansubo Plain in Susaki near Fukagawa" by Hiroshige
No se pudo cargar la disponibilidad de retiro
Japanese Landscape & Bird Printable Art (1857)
Bring the majesty of Edo-period Japan to your home with this dramatic woodblock print by Utagawa Hiroshige. Jumansubo Plain in Susaki near Fukagawa (1857) features a striking bird of prey diving over a serene winter landscape, with Mount Fuji in the distance. A perfect fusion of nature and movement—ideal for Japanese art lovers.
➤ High-resolution digital download
➤ Classic ukiyo-e art featuring landscape and bird motif
➤ Perfect for Japan-inspired decor, bird art collections, and vintage wall art
Pixartiko Collective – Usage License
Prints allowed for personal use and resale only as physical products in local shops. Use in other physical goods permitted if pixartiko.com is credited when possible.
Digital resale, sharing, or publishing is strictly forbidden.
Designs are not public domain and cannot be distributed online.
© pixartiko.com – All rights reserved.
Print Sizes
🖼 Included Print Sizes (No Cropping Needed)
This high resolution digital file is optimized for printing at the following standard sizes, no cropping or borders required. Just download, print, and frame:
| Inches | Centimeters | Suggested Use |
|---|---|---|
| 20 x 30 | 50.8 x 76.2 | High-quality posters, wall decor |
| 16 x 24 | 40.6 x 61.0 | Exhibition prints, home decoration |
| 12 x 18 | 30.5 x 45.7 | Framed artwork, photography portfolios |
| 10 x 15 | 25.4 x 38.1 | Photo enlargements, print collections |
| 8 x 12 | 20.3 x 30.5 | Albums, books, standard photo frames |
| 6 x 9 | 15.2 x 22.9 | Small prints, flyers, vertical formats |
🖨️ All sizes are print-ready at 300 DPI, maintaining the original image ratio. No cropping or borders required.
📂 Your download includes:
- 1 high resolution JPEG file (Aspect Ratio: 2:3 - Portrait).
- Artistic Declaration Certificate in PDF.
- Free gift: The Ages of Painting guide — a visual journey through the history of painting.
🎨 Need a different size or format?
No problem! Just send me a message and I’ll be happy to adapt it for you.
🎧 Art Review
“Jumansubo Plain in Susaki near Fukagawa” (1857) by Utagawa Hiroshige: A Vision from the Sky, Timeless and Unblinking.
In Jumansubo Plain in Susaki near Fukagawa, Utagawa Hiroshige constructs a composition so bold in structure and so refined in execution that it must be considered among the crowning achievements of Japanese landscape art. Created in 1857, this print emerges from the mature phase of Hiroshige’s career—a period marked by daring formal innovation and emotional subtlety—and it soars, quite literally, above its peers.
At the heart of the scene is a hawk, suspended mid-descent, its gaze sharp and unwavering as it surveys the vast, snow-covered plain. Its outstretched wings curve like an elegant calligraphic stroke, enclosing the composition in a parenthesis of movement and stillness. Each feather is suggested with lyrical economy—not anatomical precision, but expressive rhythm. The hawk does not simply fly through the image; it frames it. It becomes our eye.
Beneath this soaring presence lies the expansive sweep of Jumansubo Plain, blanketed in winter white. But this whiteness is not emptiness—it vibrates with life. Hiroshige’s mature line, spare and musical, captures reeds, waterways, and trees with poetic concision. Distant figures, dark dots scattered like ink drops on snow, hint at human presence. A single floating bucket—a seemingly inconsequential object—becomes the quiet fulcrum of the entire scene, anchoring the divine to the ordinary.
What sets this print apart is its inversion of perspective. Traditional ukiyo-e views typically anchor us at ground level, inviting us into the landscape. But here, Hiroshige grants us a raptor’s-eye view—a divine, dispassionate vantage point. The result is both majestic and intimate: we see the world not as it is walked, but as it is watched, scanned, contemplated from above.
Jumansubo Plain in Susaki near Fukagawa is not merely a landscape; it is a revelation of vision itself. In a single frame, Hiroshige unites motion and stillness, detail and vastness, presence and distance. It is a print that does not just show—it sees. And once seen, it is never forgotten.
