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Japanese Seascape with Mount Fuji | Hiroshige Ukiyo-e Print (1858)

Japanese Seascape with Mount Fuji | Hiroshige Ukiyo-e Print (1858)

Precio habitual €3,85 EUR
Precio habitual Precio de oferta €3,85 EUR
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Digital Download Wall Art, Traditional Japan Woodblock"

Stunning Japanese seascape art print featuring dramatic waves and Mount Fuji, from Utagawa Hiroshige’s 1858 masterpiece Seascape in Satta in the Suruga Province. This high-resolution digital download is perfect for fans of ukiyo-e, vintage coastal decor, and traditional Japanese wall art.

➤ High-resolution printable Japanese art (instant download)
➤ Ideal for lovers of ukiyo-e, ocean landscapes & Mount Fuji prints
➤ Perfect for coastal gallery walls, vintage decor or zen spaces

Pixartiko Collective – Usage License

Prints allowed for personal use and resale only as physical products in local shops. Use in other physical goods permitted if pixartiko.com is credited when possible.
Digital resale, sharing, or publishing is strictly forbidden.
Designs are not public domain and cannot be distributed online.

© pixartiko.com – All rights reserved.

Print Sizes

🖼 Included Print Sizes (No Cropping Needed)

This high resolution digital file is optimized for printing at the following standard sizes, no cropping or borders required. Just download, print, and frame:

Inches Centimeters Suggested Use
20 x 30 50.8 x 76.2 High-quality posters, wall decor
16 x 24 40.6 x 61.0 Exhibition prints, home decoration
12 x 18 30.5 x 45.7 Framed artwork, photography portfolios
10 x 15 25.4 x 38.1 Photo enlargements, print collections
8 x 12 20.3 x 30.5 Albums, books, standard photo frames
6 x 9 15.2 x 22.9 Small prints, flyers, vertical formats

 

🖨️ All sizes are print-ready at 300 DPI, maintaining the original image ratio. No cropping or borders required.

📂 Your download includes:

  • 1 high resolution JPEG file (Aspect Ratio: 2:3 - Portrait).
  • Artistic Declaration Certificate in PDF.
  • Free gift: The Ages of Painting guide — a visual journey through the history of painting.

🎨 Need a different size or format?
No problem! Just send me a message and I’ll be happy to adapt it for you.

🎧 Art Review

“Seascape in Satta in the Suruga Province” (1858) by Utagawa Hiroshige: A Masterstroke of Motion and Majesty.

In Seascape in Satta in the Suruga Province, Utagawa Hiroshige distills the grandeur of Japan’s natural world into a single, stunning frame—a vision so balanced in tension and serenity that it feels both timeless and immediate. Created in 1858, the year of Hiroshige’s death, this print stands as a kind of visual crescendo in the artist’s celebrated career, a final bow that resonates with elemental force.

The composition is a marvel of movement. In the foreground, frothing waves rear up in rhythmic arcs, their cobalt crests curling like claws—a dynamic counterpoint to the immovable calm of Mount Fuji in the distance. This juxtaposition, of turmoil and tranquility, speaks not only to the dualities of nature but to Hiroshige’s genius for orchestrating contrast within a rigid rectangular frame.

The great wave at right—a clear homage to his contemporary Hokusai—rises like a living entity, but with a gentler edge, almost like a gesture of reverence toward the sacred mountain beyond. Mount Fuji itself is rendered with a stark purity, crowned in white against a sky that warms gradually from icy blue to a blush of vermilion—dawn, perhaps, or the artist’s own twilight.

What distinguishes Hiroshige here is not just technical mastery, though the linear precision of the waves and the delicate control of gradient color are extraordinary. It is his capacity to balance spectacle with subtlety. The viewer is invited to feel the push and pull of wind and tide, to hear the silence behind the crashing waves, to imagine the tiny, vulnerable boats navigating this symphony of water and sky.

As part of the series Thirty-six Views of Mount Fuji, this work underscores the spiritual and cultural weight of the iconic peak, but it does more than honor the familiar—it refreshes it. Hiroshige reintroduces us to nature not as backdrop, but as protagonist. In doing so, he offers an image that feels less like a landscape and more like a lived experience.

Seascape in Satta is not merely a window into 19th-century Japan. It is an eternal reminder that art, when wielded with such clarity and compassion, can turn the most fleeting of moments into monuments of beauty.


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